The Life of John Bunyan — A Reader’s Guide

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In Category - Biographies
Venables, Edmund, 1819-1895 Project Gutenberg 1997
Bunyan, John, 1628-1688; Authors, English -- Early modern, 1500-1700 -- Biography; Puritans -- England -- Clergy -- Biography Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 54,017
Reading time: 235 min
Text sections: 5
Edmund Venables' 1888 biography examines John Bunyan's life through his own writings and contemporary accounts, focusing on the author's diction, dialogue, and descriptive choices in works like 'The Pilgrim's Progress' and 'Grace Abounding.'
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Edmund Venables opens his biography of John Bunyan not with the man himself but with the political and religious turmoil of 1628, the year of Bunyan's birth. The first chapter situates the infant in a world where Charles I had just assented to the Petition of Right, Buckingham had been assassinated, and Laud was being promoted to the diocese of London. Venables' prose is dense with historical context, yet he never loses sight of the humble cottage in Elstow where the future writer first saw light. This juxtaposition—between grand national upheaval and obscure village life—sets the tone for a biography that repeatedly draws attention to the authorial choices in Bunyan's own works, particularly his use of plain speech and vivid imagery drawn from everyday experience.

Venables' Use of Bunyan's Own Voice

Venables frequently lets Bunyan speak for himself, quoting from his spiritual autobiography Grace Abounding and other writings. He notes that Bunyan's mode of composition was 'exceedingly rapid' yet painstaking, involving 'first with doing, and then with undoing, and after that with doing again.' This attention to Bunyan's own description of his writing process reveals a man who labored over his sentences, seeking clarity and force. Venables also highlights Bunyan's diction in his prison writings, where he addressed 'his brethren in the prison chamber' with direct, unadorned language. The biographer observes that Bunyan's books are 'entirely free from the narrow dogmatism and harsh predestinarianism' of Calvinist contemporaries, attributing this to Bunyan's choice of homely illustration over theological abstraction.

The Prison as a Workshop for Prose

Venables devotes considerable attention to Bunyan's twelve-year imprisonment in Bedford gaol, arguing that confinement provided the leisure for composition. He quotes a visitor who described Bunyan's library as 'the least and the best library that I ever saw, consisting only of two books—the Bible, and Foxe's Book of Martyrs.' From this sparse collection, Venables suggests, Bunyan forged a style that combined biblical cadence with the narrative vividness of Foxe. The biographer also recounts an anecdote of Bunyan's second arrest: when the constable came to take him as he was about to preach, Bunyan fixed his eyes on the man and exclaimed, 'See how this man trembles at the word of God!' Venables presents this as evidence of Bunyan's ability to turn a phrase even in crisis, a skill that would serve him well in his written works.

Dialogue and Character in Bunyan's Fictional Works

Though Venables does not provide extensive plot summaries, he analyzes Bunyan's dialogue and characterisation in The Pilgrim's Progress and The Life and Death of Mr. Badman. He notes that Bunyan's characters speak in a manner that is 'homely' yet 'felicitous,' with a 'rich even if sometimes homely force of illustration.' Venables points to a story within Mr. Badman about a woman who came to Bunyan in prison to confess theft, calling it 'a representative case' of how Bunyan used real-life encounters to shape his fiction. The biographer also remarks on Bunyan's ability to render spiritual states through concrete dialogue, as when Christian and Faithful converse on the road. Venables' observations are grounded in specific textual evidence, such as the phrasing of Bunyan's characters and the structure of their exchanges.

The Biographer's Own Authorial Choices

Venables himself makes deliberate choices in diction and structure that mirror his subject's concern with plain speech. He avoids florid praise, instead offering measured assessments: Bunyan's works are 'a mine of Evangelical Calvinism of the richest ore.' The biographer also employs a technique of contrast, juxtaposing Bunyan's humble origins with his literary impact. For instance, he describes Bunyan as 'mild and affable in conversation' and 'never heard to reproach or revile,' a characterization that aligns with the gentle tone of much of Bunyan's writing. Venables' own sentences are often long and periodic, reminiscent of Victorian prose, yet he intersperses them with short, direct quotations from Bunyan, creating a rhythm that echoes the interplay between author and subject. This structural choice underscores the biographer's focus on authorial voice.

Venables' biography is best read alongside Bunyan's own works, particularly Grace Abounding and The Pilgrim's Progress, as it frequently cross-references them. Readers interested in the development of Bunyan's prose style will find Venables' attention to diction and composition especially valuable. The biography does not attempt to cover every event in Bunyan's life; instead, it selects episodes that illuminate his writing process. For those seeking a concise, evidence-based account of how Bunyan's circumstances shaped his authorial choices, this volume offers a focused and reliable guide.

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